Oscar-winning music composer AR Rahman is currently attending the 77th Cannes Film Festival to unveil his musical documentary "Headhunting to Beatboxing”. Directed by Rohit Gupta and produced by AR Rahman, the documentary explores the Naga tribe in Nagaland, a northeastern state in India, once plagued by violence and bloodshed. The film highlights the tribe's remarkable transformation through the healing power of music, showcasing their emergence into a musical renaissance.
In an interview with Al Mahmud Manju, the renowned musician discusses his admiration for Fakir Lalon Shah's songs and shares his experience meeting Prime Minister Sheikh Hasina.
Could you share your experience creating the two songs about Bangabandhu Sheikh Mujibur Rahman and meeting Prime Minister Sheikh Hasina?
I really enjoyed creating these songs. The entire process was very enjoyable. I have many well-wishers in Bangladesh. Even when I go to London, I meet many people from Bangladesh who appreciate my work.
Yes. I met Sheikh Hasina-ji. She gifted me a beautifully perfume bottle. It is quite large. I still have it and use it regularly. And it was a great experience for me.
Do you listen to Bangla songs? Do you find inspiration for new creations from Rabindra Sangeet or Lalon's songs?
I really like the Bangla language because, musically, it sounds very melodious to me. Especially Rabindra Sangeet and the songs of Lalon Fakir, I have listened to them quite a lot.
I have researched the songs of Lalon Fakir. About ten years ago, I tried to explore the folk and spiritual elements in the music of India and this region. While doing so, I listened to Lalon Fakir. It was amazing.
Apart from the two songs about Bangabandhu, have you composed any other songs in Bangla, or plan in future?
Yes, I have! For Mostofa Sarwar Farooki's film “No Land's Man”. My connection with Bangladesh is regular, from Dhaka to London to New York. Earlier, I worked with Bangladeshi expatriate Rianjali Bhumik in New York. I arranged a Rabindra Sangeet for Coke Studio. Surely, I will work on Bengali songs more in the future.
Could you tell us about your composed for the Bollywood film “Pippa,” which sparked intense debate in both Banglas?
The matter has been resolved. Bringing it up again here seems unnecessary. As I said before, and I will say again, we created the song following proper laws and regulations. It received both positive reactions from listeners and some discomfort. However, the issue has been clarified and resolved.
Are there any plans to compose more Bangla songs in the future?
Oh… really, we never know. The Creator knows best. I can only respond with, why not?
Is Cannes Film Festival as important for musicians as it is for filmmakers?
I believe it's an inspiring event for everyone. People come, watch, talk, and enjoy. In a word, it seems like a happy place to me. Besides, I have always liked film festivals. These festivals seem like an exchange platform for talented people in cinema and music. That’s why I attend various film festivals around the world whenever I get the chance. Cannes is at the top of my list of interests.
Can you tell us a bit about your film 'Headhunting to Beatboxing’?
We had a terrible perception of Nagaland. For almost 40 years, we heard, do not go there; they will chop off your head! That was partly true at one time. But now, it has turned into a strangely peaceful place. If you go there, you will find a musical environment. Our film is about this. It’s a musical film. We have tried to incorporate various musical genres like pop, rock, folk, jazz, blues, etc. The screenplay also includes a different kind of Nagaland and its terrifying history.
Do you feel pressure after winning Oscar and Grammys?
Music does not give me or you pressure. Rather, it reduces pressure, I believe. It’s all about feeling and soul. The main thing is I believe in the Creator. I think every tune is a blessing for me. And I believe that this blessing should be spread among millions of people instead of keeping it to myself. I have been doing this with joy from the beginning. There is no such thing as pressure.
Which industry do you find most comfortable or enjoyable to work in?
I create all tunes or songs for people. So, I don’t judge them based on region or industry. At the end of the day, everyone is human. It’s true that working for my country’s people makes me feel more proud. Similarly, when I receive work offers or work from Hollywood, I also feel proud. Because they love me and invite me to make music.
Have you ever received an offer to act?
I have received offers. But I will not act, that’s certain. Because if I act, my focus on music will be lost. I don’t want that.
Thank you so much for your time. Best wishes for your new film. Please say something to Bangladesh from Cannes...
Shonar Bangla, I want to bhalobashi (Love you)! Love you.
