The evening kicked off with the electrifying energy of Killaz Kulture. Emerging from Narayanganj, this crew has established itself as a leading force in bringing Bangla hip-hop to the international stage. Shezan and Hannan, the dynamic duo behind the crew, enthralled the audience with their raw, authentic lyrics woven seamlessly with the rich Bengali culture. Their two 20-minute sets, delivered with undeniable passion and skillful wordplay, left the crowd buzzing with excitement.
Next, Bengal Parampara Sangeetalay transported the audience to a realm of soulful serenity. This programme of the Bengal Foundation, dedicated to reviving classical music in Bangladesh, presented a Dhrupad, Sarod, and Tabla ensemble performing Raga Bahar and Bhimpalashri. It targets gifted young pupils, from 6 to 24 years. The six masterful musicians, including Ilham Fuljhuri Khan, Isra Fuljhuri Khan, Abboy Wriddhi, Swaronika Saha, Fahmida Nazneen, and Kumar Protibimbo, captivated the audience with their virtuosity and deep understanding of the centuries-old tradition. Their 16-minute performance, characterised by intricate melodies and rhythmic interplay, was a testament to the enduring power of classical music.
Rounding out the evening was Tashfee, a young singer who has taken the Bangladeshi music scene by storm. Her powerful vocals and hauntingly beautiful melodies, showcased on popular social media platforms and live performances, have garnered her recognition and praise. Accompanied by her talented band, Tashfee mesmerised the audience with her unique voice and heartfelt renditions.
The second day of Dhaka Makers 2 offered a captivating journey through sound, showcasing the diverse talents of local artistes and their unique approaches to music. From introspective acoustic renditions to soulful explorations and meditative journeys, the evening unfolded as a dynamic conversation between performers and their audiences.
The Moonflower Project's set painted a serene atmosphere with their focus on poetry and acoustic rock reinterpretations. Maimun Khan's vocals and the instrumental interplay between Sayon Masang's saxophone and Shabab Ahmed's keyboard created sounds that resonated with a sense of quiet reflection. Their performance served as a gentle pause amidst the festival's energy, offering a space for introspection and emotional connection.
Swayambhu's 40-minute meditative music session provided a transformative experience for the audience. By incorporating conscious listening and breathing techniques, Swayambhu transcended the boundaries of mere performance, guiding attendees on a journey inward. This innovative approach offered a unique perspective on the relationship between music and mindfulness, leaving a lasting impact on those present.
The recently formed LKG Quartet brought the energy back up with their dynamic blend of folk, funk, and contemporary influences. Labik Kamal Gaurob's soulful vocals and the tight interplay between the band members created a vibrant and engaging performance. Their notable songs include a funk rendition of the legendary Sachin Dev Burman's 'Shoite Pari’.
Poetry took centre stage with Slam Poetry by The Daily Star at Day 3 of Dhaka Makers 2. The air crackled with raw emotions as performers of various ages poured their hearts into spoken word pieces, tackling themes personal and societal. Their diverse perspectives resonated with the audience, sparking conversations and reflection.
Prachyanat's acclaimed production Kinu Kaharer Thetar transported the audience to the fictional kingdom of Putna. With sharp satire and witty dialogues, the play unveiled the dangers of autocratic rule while highlighting the importance of truth and justice. Directed by Kazi Toufikul Islam Emon, the play served as a powerful commentary on contemporary realities, leaving a lasting impact on viewers.
Rhythm of the River, choreographed by Arthy Ahmed, was a visual and auditory treat. The six performers (Saki, Tahiya, Farhad, Kotha, Saqib, Sumaya) brought to life the vibrant spirit of Bangladesh through energetic folk dances inspired by fishermen's lives, festive celebrations, and rhythmic boat movements. Their graceful movements and infectious energy painted a captivating picture of the nation's rich cultural heritage.
The Imran Ahmed Band wrapped up the evening with their unique blend of contemporary jazz and diverse influences. Drawing inspiration from legendary jazz masters, the band led the audience on a journey of improvisation and experimentation. Their soulful melodies and tight musicianship left the crowd wanting more, solidifying their position as a leading force in Dhaka's burgeoning jazz scene.
The rhythmic beats of Chapai Gambhira resonated through the final day of Dhaka Makers 2, captivating audiences with their unique blend of music, poetry, and storytelling. As one of the last acts on the festival stage, they left a lasting impression, solidifying their place as cultural ambassadors of Bangladesh's rich heritage.
Chapai Gambhira, with their vocalists and accompanying harmonium, tabla, flute, dotara, and gypsy instruments, presented a powerful performance that transcended mere entertainment. Their music, rooted in the centuries-old Baul tradition of Bengal, weaved tales of love, loss, and spirituality, transporting listeners to a realm of soulful expression.
Standing tall throughout their performance, the Chapai Gambhira performers embodied the spirit of the Baul minstrels who wandered the countryside, sharing their music and stories with all who would listen. Their attire, simple yet evocative, further emphasised their connection to tradition.
Other bands performing at the event were Smooches and Joler Gaan. Blending music with the exhibition and art market enriched the Dhaka Makers 2 experience.
