Transmogrification

Teesta, we named our daughter after you

Each year – both swell

One with child

And you with pride.

 

Teesta, you nurtured ours

With hilsa, rohu and chital.

Until she grew and grew into a

Fertile ground for her man’s seed.

 

Today as she tossed and turned in labour

Shrieking and screaming,

You chose to hit back.

Why? O Why Teesta?

 

Like Bakasur you swallowed

Trees, fields, animals, children,

young, old, able-bodied and infirm –

All in one go with great gusto.

 

The wind and you – howled and roared all night

in wild fury – in an insane harmony.

You danced to the beats of a deafening thunder.

The strobe lights flashed across the pitch-black sky.

 

My heart beat faster every minute,

No sign of relief for my Teesta –

While I made a safe bed on my attic;

for the mother and half-emerged baby head

 

You came like a maniacal mob

and swallowed them up.

How dare you! Take me! Take me!

Why leave me out?

 

I jump from my attic into your wide-stretched arms.

When satiated and calm a day later,

I know you’ll look like a reprimanded child

sulking in a corner.

 

But what do I do with neither man nor child?

Home nor grain?

Purpose nor zest?

Take me now, I beg you.

 

I am but a shell drained of its meat;

How do I fill it?

Teesta, you bypass me like a school bully.

Is there a design to it?

 

In one massive churning then, I tell you

Once again, go on producing

hilsa, rohu and chital

for another Teesta somewhere else.

 

Gita Viswanath is the author of two novels; Twice it Happened (2019) and A Journey Gone Wrong (2022), a non-fiction book, The ‘Nation’ in War: A Study of Military Literature and Hindi War Cinema (2014) and a children’s book, Chidiya (2016). She has also published poems, short stories, travelogues, and essays in journals and anthologies. She is the co-founder of an online film club called Talking Films Online.